Kasiian L. Meletiy Kichura's lyric: the specificity of the individual style.

The paper deals with the research on the style specificity of Meletiy Kichura's poetry writing. The lyric of the poet (the manuscript, such collections as "Without the steering" ("Bez Kermy"), "Tempi passati", "At the start", "Beforehand", "Steel reflection" ("Vidblysk krytsi"), "The Last Mohicans"), its stylistic principles, concepts and forms in the context of the development of the stylistic varieties of the modernism, in particular, the poetry writing of "Moloda Muza" are investigated in detail. Such an interpretation of Meletiy Kichura's achievements defines the individual artistic characteristics of the poet that differentiate him among other authors of the epoch, identifies his individual author's style. The system of images and motives of the collections are the key topoi that structure the thoughts of the author when describing socio-national, life and personal contrasts is found out. It is proved that a satirical outlook plays a dominant role in the author's search for style.In the paper the dynamic self-organization of the individual author's style, from imitation to his own way of writing or idiostyle in the field of the synergic theory, is analyzed. Such an approach helped to describe the artistic dynamics (formation, functioning, self-improvement) of Meletiy Kichura, express its main components that makes it possible to define the dominant of the individual style.