Ma X. Textual bases of performing interpretation in piano creativity (from stylistic content to semantic typology).

The research determines stylistic factors and typological semantic properties of piano performance as an intertextual phenomenon, the importance of musical-performing textology as an actual trend in contemporary musicology is revealed, the discursive aspects of the problem of musical text, the specific compositional and stylistic properties of musical-performing text are highlighted. The definition of cyclic musical and textual parameters of performing arts, in connection with them – stylistic levels and intertextual tendencies of piano-performing style leads to the discovery of the basic preconditions and parameters of the semantic typology of piano creativity. The main semantic determinants of the piano-performing style are revealed, typological links, interactions between the stylistic components of piano music and its performing semantic signboards are allocated, the special significance of preludeness in the style self-determination of piano performance is proved. The object of the research is piano-performing creativity as a holistic interpretive-stylistic phenomenon, what induces to the establishment of certain chronological boarders, due to the period of achievement of piano creativity, primarily in its performative form, textual perfection, technological and semantic maturity, covering the end of the XVIII – the first half of the XX century.