Yu L. The phenomenon of the last sonatas of L. Beethoven, F. Hopin, Ch. Ives, A. Skryabin in rolling up of style stage composer to creative activity.

In work is presented observation of the expressive particularities of the late Sonatas L. Beethoven, F. Hсopin, A. Skrjabin in difference miscellaneouses on national interpretation of the performances, fixing that or other openings style trend recent past, persisting academic practical persons and pianism of contemporaneity. The expressive particularities of the late Sonatas of L. Beethoven, F. Сhopin, A. Skrjabin, Ch. Ives different in national manifestation, in performance addressee , in directivities on different of the style positions and trend of the encirclement of their creators or in longing to rest in conquests nearest or remote past, peek in future аrtisic practical persons and pianism - a vital and presented. The systematization of the information about essence of the creative installation of Beethoven, Chopin, Skrjabin, Ives points to principle directivity of effort of the last period creative activity, manifestation in them religious-idea, cultural-аrtisic and morally-social quests of composer, which found identical or other characteristic response beside performers. Division of analysed authors and their compositions temporary and reflective-style barrier does not deny certain paradigmatic forming their manifestations – in the manner of "nеоbaroque" style composed, as expressiveness which is concluded, as judged by her "compubiquity", creative energy stimulus, supplying miscellaneouses directivity of the performance decisions. Turns on itself attention denominated synthesizing sense analysed last Sonatas of the different authors though given syntheses is deeply distinguished in personal decision of the genre. Turns on itself attention directivity "to new coast" beside Beethoven and Chopin though beside the second from named obvious and appeals to early artistic installation as giving birth style factors of author's artistic statement it self.