Du W. Poetics of the chamber-vocal cycle in the composer's work of the second half of the XX century (on the example of chamber-vocal works of S. Slonimsky)

The dissertation is devoted to the consideration of the characteristic properties of the poetics of chamber and vocal cycles of S. Slonimsky as a specific integral system of characteristic features and artistic techniques. In this regard, the concept of poetics in the discursive circle of aesthetic, literary and musicological research is considered, which allows to study musical poetics as a systemic integrity of the means of expression in a work of art in its projection on the composer's work. The principles of cyclic construction and artistic conditions of cyclization in chamber-vocal creativity in interdependence and interdependence with the phenomenon of "plot" in music are investigated. Theoretical and conceptual principles, general logic and artistic and semantic principles of interaction of words and music as the basis of compositional construction of chamber-vocal cycle are determined. This allows us to trace the characteristic properties of the poetics of chamber and vocal cycles of S. Slonimsky as a specific holistic system of characteristic features and artistic techniques. The artistic and semantic semantics of "Six Romances on the Poems of A. Akhmatova" and "Ten Poems of Anna Akhmatova" as an embodiment of the author's model of the chamber-vocal cycle are studied. The beauty and aesthetic weight of the poetic word, its artistic perfection was extremely important for the composer, so the work of Akhmatova became a source of inspiration for him, and the poet herself - a constant interlocutor of the composer.