Gorpenko V. Architectonics of a Film

The thesis is devoted to the problem of interrelation of "language" forms and principles with the motive forces and specific signs of expansion of the text of screen productions. A new concept of architectonics of a film as a special aesthetic and professional creation, expressing artistic - imagebearing originality of a show and provided by the skill of directing - a set of funded efforts and means of embodiment of a theme (raw vital material) is developed in the thesis. The methodology of the analysis of the director's creative work as a system (structure) of expansion of the author's attitude to the being created - having been created is proposed. The expediency of the approach to cinema not only as to the phenomenon of art but as to a special type of a show for reestablishing the balance between diverse functions of audiovisual productions which was upset by the excessively exaggerated ideological treatment is substabtialed.