Shapovalova L. Music as personality analogue: to the problem of reflexion consciousness

The dessertation states the theory of reflexion in music creation. Its object – substantiation of music as homo cognitio analogue (through the ego-author’s conception) – is conditioned by the requirements of the category synthesis in contemporary cognition (culture semiotics, analytical hermeneutics, ontology, metaphysics, Christian anthropology). There is given analysis of reflexion as a consciousness modus and a semiological object. The content of the reflexive mode is an act of one’s own consciousness cognition and self-realization (author’s reflections as to life, death, God cognition). Linguistic reflexion creates immanent models of artistic typification: inner speech, double entendre, redoubling, communication, monodrama, “ascendant” drama, synergy. Reflexive mentality style as a systemic phenomenon makes a sign paradigm of XX-th century music culture, that has brought about development of synergic conception, which is based on culture-anthropological synthesis and socio-cultural evolution of reflexive semantics (from the Vienese classicism to the Ukrainian revival of the final third part of the XX-th century).