Mocherniuk O. Ideologies patterns in Ukrainian choral creativity of the interwar period: conceptual manifestations of the aesthetics of public culture.

The completed dissertation is devoted to the study of patterns that operated in Ukrainian culture (especially music) of the 1920 s and 1930 s and performed important social and cultural-regulatory roles. But this perspective is important not only for understanding the needs of the past, but also for the study of strategic trends in the development of various spheres and the social culture of the ethnic group as a whole: in the process of myth-making of “global” modernity, the importance of certain examples or models of the past is strengthened or reduced. The purpose of the study is to understand the reasons for the introduction of ideological patterns into the Ukrainian choral work of the interwar period, taking into account the regularities cultural and social processes of that time. The research methodology determined the use of fundamental principles of the theory of knowledge (historicism, impartiality, integrity, understanding of the interdependence of processes, etc.) based on interdisciplinary and non-classical value approaches. The methods are historical-stylistic, systematic, genre-stylistic, semantic, chronology, comparative, performing methods, as well as pragmatic and structural analysis of folklore works. In the field of the historiographical method, synchronistic analysis proved valuable, which made it possible to compare directly unrelated opus and concepts of different areas as components of a supranational cultural-historical integrity. Scientific novelty of the obtained results. In the dissertation for the first time: the classification of scientific approaches to the problem of patterns in the humanitarian sphere has been established and its cultural interpretations have been systematized according to the scope of the problem; figurative and thematic clichés and genre models in the chorus are singled out works of composers of the USSR and USSR for mass performance; the manifestations of the fusion of patterns with ideology in the academic creativity of various thematic areas of this area were studied; the patterns of choral music in the work of Ukrainian composers are considered western terrains in connection with mythologemes relevant for this period; the conceptual manifestations of the aesthetics of social culture in the patterns of Ukrainian choral work of the interwar period are summarized; at the semiotic level of musical art, conceptual manifestations of the ideological and cultural-aesthetic organization of societies of various state types; the analysis of creativity is carried out with a view not only to ideological components, but and their organizing structures of a patterns; a culture creating system of patterns has been revealed in Ukrainian musical art; works representative of contemporary trends in choral creativity were analyzed as typologically vivid examples of social culture; a strong theoretical base has been created for further multifaceted studying the subject; works representative of contemporary trends in choral creativity were analyzed as typologically vivid examples of social culture; a strong theoretical base has been created for further multifaceted studying the subject.