The place of authoress in an of that time literary process turns out. On the basis of analysis of context of day, belonging of Lesia creation is determined to modernism just through mythological mediation, because mifologization opened the way of search of novelty in an artistic plane. Through the prism of mythological factors are perceived times that space measurings which acquire sacralizovanoi description, when with the category of time the linked horizontal plane of the universe, and space - vertical. The vertical- horizontal projections which correlate with the time-space action measuring are clearly noted in majority of Lesja's drmatic plays. The researcher analyses the presence of vertical centre in the following dramas "The Forest Song", "The Autumn Tale", "The Babylon Captivity". The stone Master and so on. The horizontal action area may be more or less developed but it also displays the contrasting to the centre and the margins. Sometimes the place of action shows us the locked up space a prison, a castle, a house, an encircled town, it symbolizes a status of slavery the way out of which Lesja's heroes seek. In dramas of Lesia Ukrainka possible decomposition on reasons, correlative with motion on a horizontal line or vertical line, that determine the symbolic plane of measuring of psychological, aesthetically gradations of heros of dramaticseats. Principle of spatial opposition of life distributes him on two spheres, here the symbolic of number shows up "two", which programs duality perception, origin of so called stranger space. Mythological-sacral reasons expose a ritual as structural component of realization of myth. By the leading sacral-mythological forms of culture, that are exploited in artistic fabric of Lesia dramaticseats there is the game, music, holiday, mask, victim, catharsis. Lesja Ukrainka establishes the contact with symbolic elements of world literature through the ritual ( the Bible, the Antique, that certainly influences on a deeper reception of the readers. The functions of the ritual in mythology-symbolic context of her works is an important element of Lesjas dramatic plays originality. The aesthetic essence of Lesja's dramatic plays is realized due to symbolic nature of myth intercession. The of principle difference of mythological and literary model demonstrates reception of remifologization as display of aesthetically beautiful category of individualism, that appears in and revisions of myth. It is necessary to perceive dramas of Lesi Ukrainky through personal chart, through cultivation of full value of reduction of ideas, through destruction of myth on purpose find internal essence of the hidden maintenance of artistic work. All these three research aspects prove us how deeply and originally Lesja Ukrainka mythopoeia thinking is developed. Taking the most valuable aspects from the nationality literature and world tradition she managed to bring new accent into the interpretation of moral choice, treason, slavery, honor and patriotism problems. It proves the writer's desire to bring Ukrainian literature in to the world context. Therefore, the features of Lesjas individual system of image forming spread their meaning on the whole national literature system. Crossing the individual achievement bounds, they acquire their meaning in the universal culture. That's why Lesja Ukrainka dramatic plays are so deep in their high-minded artistic potential.
