Zolotukhina N. Cultural and Stylistic Originality of the Crimean Nature Image (on the example of the fine art of the middle of the XIX - XX-th centuries.

The problems of the stylistic art modi in the image of the Crimean nature in the works of the painters of the XIX - XX-th centuries have been analyzed in the thesis. The problem of the relationship of the cultures and man, man and nature as the first and main form of being has been considered. The importance of the category of the artistic image has been revealed, the idea of the stylistic art modi as the base of the forming of the integral art system of the world learning has been grounded. The main attention has been paid to the works of the Ukrainian and Russian painters who recreated the image of the Crimea that represents the significant phenomenon in the cultural field of the Ukraine (I. Aivazovskiy, S. Svetoslavskiy, S. Vasilkovskiy, V. Orlovskiy, I. Troush, A. Kouindji, K. Bogaevskiy, M. Voloshin and others). The innovations of F. Vasiliev and A. Kouprin in the creation of the symbolic Crimean nature image have been considered. The leading roles of N. Samokish, organizer of the Crimean art school, and N. Barsamov, the first Crimean landscape painting researcher, have been analyzed. The creative portraits of the Crimean painters: F. Zakharov, Y. Bassov, V. Tolochko, V. Bernadskiy have been made. The analysis of F. Zaharov's paintings has allowed to draw a conclusion about syntheses of the realism and impressionism in his artistic picture of the world, which reveals the deep relationship of the Man and Nature. The stylistic variety of Y. Bassov's creative method, the romantic modus of his watercolors have been discussed. On base of the cultural analysis of the creative activity of V. Tolochko and V. Bernadskiy the humanistic nature of their world based on the artistic truth that is understood as the synonym of the beauty has been revealed.