Hou J. Artistic world Chinese folk opera: dialogue of cultures

The thesis is the first attempt of a complex investigation of ethnocultural dialogue influence peculiarities on the formation of artistic world of Chinese folk music culture. Traditional and modern types of intercultural dialogues are highlighted in the work. They are carried out by the way of interpretation of spiritual activity products of Chinese nation, in particular, that are embodied in multiple regional folk opera traditions and also that are fixed in religious syncretism, literature, music semiotic systems. It is established that to the three main factors (genetic, geographic, economic) influencing upon the changes in culture in the given ethnocultural dialogue volal and mental factors that are subject to inner and outward manifestations of artistic experience are added also. On the basis of empirical experience systematization nature- and artefacts of Chinese folk opera, – the most ancient and dominating phenomenon of China music culture, are introduced in scientific usage.