Bugay N. The Image of Human in the History of Costume

In the dissertation the philosophical and cultural analysis of appearance of man in the history of costume is carried. The worldview-anthropological determinants of costume's formation are determined as the unity of teriomorphous, anthropomorphous and teomorfous aspects. The history of costume is interpreted as the meta-cultural integrity, where human's appearance is not the naturalistic "dimension" of shaping, but presented as equivalent to integrity of vision of man in philosophical space of reflection. Genesis of changes of paradigms of corporealness, traced as fashionable settings and as flash image, as well as reflexive settings of post-modern philosophy, is clarified. Philosophical and culturological approaches are determined in relation to interpretation of costume the as integrity of culture (hermeneutical, comparative, systematical and others).