Susol L. The component of neo-baroque inLina Kostenko’s poetics

In thesis the neo-baroque component of artistic thought in Lina Kostenko’s creation has been investigated. The features of baroque and neo-baroque intercommunication are found out in the European and Ukrainian measurings. It is emphasized that the variant of Lina Kostenko’s neo-baroque thought is based on the high Ukrainian Baroque ХVІІ–ХVІІІ centuries, the central figure in this creation is G. Skovoroda with his orientation towards the searching ontological essence and protection the humanic values. The substrat of Lina Kostenko’s artistic world is folkloric and mythological beginning. It is found that the important component of poetics is irony as cultural displaying of laughter, which selects eternal from temporal, costllness from casual. The novel « Notes of Ukrainian samashedshogo» is related with Gogol’s poetics intertekstually. It is proved that main aesthetical dominant of prosaic novel is an exposure of public symulyakrs, which are directed on leveling human in a man. Lina Kostenko’s lyric and liro-epos poetry incarnate the idea of multiculture as dialogic openness above all things to the people which experienced or experiencing the difficulties and dramatic periods of the history. It is found out, that the newest editions of Lina Kostenko’s works incarnate the idea of artistic symbiosis which was the characteristic sign of baroque book-printing. It extends interpretation potential of artistic text. The analysis of Lina Kostenko’s works shows the activity of the following neo-baroque poetics components as dramatic effect, intelligency, gnomic, natiocentryzm, orientation on spiritual values.