Ilienko I. The Artistic Space of the European Ballet Theatre of the XVII-XXth Century: Music and Dance Interaction

The dissertation is devoted to the study of the artistic space of ballet art in Europe of the ХVII-ХХth centuries. For the first time in Ukrainian art history examines the historical evolution of awareness of the artistic space and are determined by the leading factors of his organization. Defines the forms of historical messages space and open space; the features of formation of the artistic space in the ballet genre; identifying the spatial parameters of the ballet music of composers of the reformers (G.-B. Lully, P. Tchaikovsky, I. Stravinsky, S. Prokofiev); highlighted the problem of synthesis of spatial formations of musical and choreographic art of the twentieth century. The artistic space of ballet art represented the only spatial conglomerate, elementary unit of which is musical-choreographic configuration. Proved that the General settings for the number of features inherent to like in the music, and choreography of space, is the hierarchy, combinatorial, processuality, multivariate. The transformation of the interdimensional combinations occur on an ongoing basis modification musical-choreographic structures. Mechanisms interdimensional synthesis are considered rhythminflexion and dance of music. In the thesis is substantiated direct impact of the cultural-historical context of the formation of a musical-choreographic messages in the process of formation and development of ballet art.