Chilikina N. Bodily practices in contemporary choreographic culture

The оbject of choreographic culture of the XX – beginning of XXI century. For the first time in the scientific literature on art and cultural aspects of the essence of dance, constructed by analogy with the processes of human communication and obtained a picture of the use of non-verbal meanings in the plastic body, plastic objectivesare interpretation of language. Thus, the choreography can be regarded as a dynamic system that adapts to an art form language of the human body to recognize the significance and worth are life forms. The theory and history of culture, art criticism.