Serova O. The Minimalism Paradigm in Spatio-Temporal Measurements of Musical Postmodern Culture.

In the dissertation the attempt of a complex analysis of the Minimal Music is carried out, presenting it in the spatio-temporal measurements of a postmodern art culture. The understanding of the Minimal paradigm of a music art is offered as the initiative, preventive philosophy of a true search in which limits actually the philosophy is considered more likely as dialogue-interaction of the person with a reality, instead of as polemical dialogue between supporters of the various dogmatic points of view. The priority of the Minimal Music existential display is proved as specificity, its dual essence in the decision composite minimaling's acts at a hypertrophy of existential horizons which is shown first of all, at the "superconciseness" of sounding volume, on the one hand, and in repetitive infinity of superlong soundings, in the other.