Benziuk O. Open Interpretation in the Logic of the Creative Process: the Analysis of Culture Science

In the thesis first studied the open interpretation in the logic of the creative process, substantiated dependence modifications and transformations of creative process from postmodernism projects. Proved that projects postmodernism is a art code (codes), through which can be read fiction, and not just "open", but also "closed" because "closed" works with many potential connotations. Considered open interpretation in the structure of the relevant concepts, namely: "transaction", "improvisation," "reinterpretation", "intertext". Is proved theory that postmodern culture is largely based on the theoretical achievements of Russian formalists, who determined the development of the theory of literature and art of the twentieth century, marking a range of issues of modern aesthetics, culture, art, literature. Systematized aesthetic dimensions open interpretation for example a concert triptych "Spanish-style" A. Biloshytskyy. Argued the universality "open interpretation". It is proved that the "open interpretation" can be applied not only to the "works-in-motion" ("work-in-movement"), which are open, incomplete in the literal sense, but also to any works. "Openness" of works of art is determined by the infinite interpretations.