Shtefyuk V.D. Interculturality of acting training in modern theatrical art. – Qualification scientific work on the rights of a manuscript.
The methodology of the dissertation study of the interculturality of actor training is based on the application of interdisciplinary, art history, cultural and intercultural approaches, conceptual, cognitive and systemic types of analysis. The thesis formulates the basic concepts of the research topic. Thanks to the processing of theoretical and historical sources, the definition of acting training was formulated as a set of exercises aimed at forming the skills and abilities of the elements of acting, as a process of acquiring and recombining skills that takes place in an intercultural environment.Based on the theories of leading philosophers and psychologists, the concept of intercultural actor training as a specific method of training an actor through an organic combination of traditional national techniques of actor education, various Eastern physical and spiritual practices has been updated and supplemented.
Based on the analysis of modern intercultural methods of actor training, the conclusion was formulated that actor training is by its nature an intercultural phenomenon, as it covers a significant number of elements from various fields of human activity, different cultures, and all modern intercultural actor trainings include the human body and human voice in the system of cultural encoded means of expression.
It was revealed that the problem of interculturalization in theater art in general and the actor's training process in particular is being actualized in Ukraine. The prospects of interculturalization of modern acting trainings in Ukrainian theater culture are outlined.It is emphasized the need to introduce intercultural acting training into the educational process of actor training by updating training programs for private theater studios, as well as widely use the Internet (viewing acting trainings and techniques that are held online in social networks, their videos), learn the experience disseminated with the help of master classes demonstrated by leading trainers and directors during theater festivals or conferences, etc. In addition, it is advisable to popularize intercultural trainings and acting techniques of traditional theaters of the world in higher art educational institutions as special courses ("Modern intercultural acting training", "Traditional Chinese theater actor training techniques", etc.), to develop original author's intercultural acting trainings, resorting to the correct combination techniques of traditional national theaters, physical and spiritual practices with the traditions of the national theater school.
Key words: interculturality, acting training, theatrical art, globalization, actor, director, theater, western philosophy, eastern theater, psychophysics, physical and mental practices.
