Zayarna I. The Russian Poetry of the XX-th century within the Context of Dialogue of Artistic Paradigms: Typological Projection of Baroque in Avant-garde and Postmodernism.

The present dissertation highlights the complex of main features of the typological projection of baroque literary heritage in the Russian poetry of the XX-th century (in the paradigms of avant-garde and postmodernism). It proves existence of baroque tradition and typological links in the poetry of futurists, "oberiuits", postmodernists. Typological links of avant-garde and baroque are found out in the philosophical content of the texts, types of outlook, dominant motif complex, models of the world, similarity of creative strategies. Common features are deduced in the allegorically metaphorical style of the verses, norm infringement, trends to synthetic art forms, symbolical and allegorical depiction of the person. The typology of some poetical processes in the literatures of baroque and postmodernism provides opportunity to separate neobaroque trend within contemporary poetry. Similarities between the baroque and neobaroque poetry are traced in main methods of characteristic of being, reflection of ontological problems, foregrounding of baroque models of the world. In connection with that the general movement to Christianity and its echoing in self-reflection of the lyric subject are significant items. It was demonstrated that the allegorical forms of interpretation of the biblical text are similar to the ways of its interpretation in baroque poetry. The important feature of baroque typological projection in Russian poetry of the XX-th century, investigated in the work, is the updating of rhetoric discourse in the poetical theory and creative work of avant-garde poets. Stylistic paradigm of the neobaroque poetry reflects some peculiarities of "concetto" style. It has been shown that the trope system of neobaroque poetry is relative to the figurative metaphorical style (wit) and baroque methods of creation of precious verse.