Fed' V. Ideological paradigms of the cultural-creative being (Ukrainian context)

The thesis deals with theoretical consideration of the ideological paradigms in the formation and development of the cultural-creative being. Ideological paradigms are considered to be stimulators of social-cultural activity with which they are insepa-rably interrelated in the cultural-creative being. There is provided a table of signifi-cats of the cultural creative being; the structural elements include key paradigms (pa-gan, Christian and scientific) which have ideological (ideal and others) and activity (spiritual and others) projections. The author draws a scheme of the three primary elements (Man, Nature, Culture) of the culture-creative being: historical, current and "productive". The structure, principles and functions (creative, integrative, etc.) of the culture-creative being have been worked out. The ideological paradigm is considered to be a generally accepted model within a definite type of the outlook, i.e. a model of the setting and solving of the problems of the reality comprehension, of the life principles that determines the es-sence of social and individual activity. The polycultural specific character of the Ukrainian culture-creative being is emphasized, there have been highlighted irrationalistic (antheistic, cordocentric, exis-tential) and rationalistic (Sophianity) ideological traditions of the Ukrainian culture.