Vivat G. The cоncept of multiplicity of intertextual discourse in the creative works of dissident poets (I. Kalinets, N. Rudenko, I. Svitlychnyi, V. Stus)

This work is devoted to a problem of intertextual practices in the creative pieces of dissident poets of I. Kalinets, M. Rudenko, I. Svitlychnyi and V. Stus. There was analized history of study of the concept of "intertext" and traced the process of formation of ideas about intertext. By analyzing the content, functions and positions of intertext there was conceived the process of formation of plurality of intertextual discourse of dissident poets in the light of their communicative contacts and viewpoint apologias.For the first time there were systematically reviewed paratextual connections of creative achievements of I.Kalinets, N.Rudenko, I.Svitlychnyi, V.Stus, role of intermediality as creative inspiration in poetry of I.Kalinets and V.Stus, the interaction of rational and irrational realms in creativity of N.Rudenko, I.Svitlychnyi and V.Stus, the genre intertextuality and originality in the creative heritage of I.Kalints, N.Rudenko, I.Svitlychnyi, V.Stus. It was determined that the artistic dream is sufficiently capacious space for the various semantic-artistic solutions, has an important place in the poetry of dissents and is an important factor in exploration of their creativity. The specificity of the literary dream is that it is directly related to the nature of artistic thinking and is a constituent part of revelation of the author's vision of the world.