Rіabukha N. Transformation of the sound-image of the world in the piano culture: onto-sonological approach

The object - sound image of the world as a way of modeling of reality in musical culture. In the dissertation is carried out systematic culturological research of the sound-image of the world in the piano culture, which was oriented to analyze the sound centered paradigm of the musical art of the Modern Age. The onto-sonological conception of the sound-image of the world is developed, which is explicated the transformation of the conceptual foundations of artists' sound-image thinking in the system "ontos - sonos - logos" (being - sound/sounding - meaning). The historical and cultural significance of the piano in the renewal of the instrumental-performing representation of onto-sonological reflection is revealed. Field: theory and history of culture, art criticism.