The dissertation is the first comprehensive study of the phenomenon of conceptual calligraphy as an innovative direction in contemporary Chinese visual art. The article analyzes the prerequisites for the emergence, aesthetic principles, artistic features and cultural potential of conceptual calligraphy in the context of transformations of Chinese art under the influence of globalization and intercultural dialogue. The philosophical and aesthetic basis of classical Chinese calligraphy, its historical evolution and influence on the formation of modern artistic practices are studied. The key factors of the emergence of modern calligraphy are highlighted and its fruitful interaction with Western art is traced. Materials on the two-way nature of mutual influences between Chinese calligraphy and Western modernism during the 20th-21st centuries have been collected.
Qualification work is based on the complex application of general scientific and special artistic principles and methods, such as systemic, interdisciplinary, historical-genetic, formal-stylistic and comparative analysis. The experience of scientific developments of Chinese and Western scientists in the field of modern art of calligraphy is summarized. The analysis of the prerequisites for the emergence and features of modern Chinese calligraphy is an important component of the study, as it allows us to understand the deep philosophical and aesthetic foundations of this art, to trace the historical dynamics of its development and to identify the key factors of transformation in the conditions of intercultural interaction. The conclusions drawn laid the theoretical foundation of the research, provided the necessary context for understanding the specifics and patterns of evolution of modern Chinese calligraphy as an original artistic phenomenon. The deep philosophical and aesthetic foundations of traditional Chinese calligraphy, formed under the influence of Taoism, Confucianism and Buddhism, were studied. The historical evolution of calligraphy styles from the Han dynasty to the end of the 20th century is traced, and the constant search for new forms and methods of self-expression by calligraphers is shown.
In the work, a thorough analysis of the current state of line and dot aesthetics in Chinese calligraphy and ink painting was carried out, the mutual influences and development prospects of these traditional types of Chinese art were investigated. The key tendency of preserving the strong connection of modern ink painting with the classical heritage of the past is revealed, which is manifested in the use of traditional materials, techniques, plots, and compositional principles, at the same time enriched by innovative experiments and synthesis with other artistic directions. A characteristic feature of modern Chinese art is analyzed - the deep integration of ink painting and calligraphy. The trend of active interaction of Eastern and Western aesthetics in modern ink art of China is studied. Special attention is paid to the analysis of the historical roots of the close connection between calligraphy and ink painting in China, their mutual influences and synthesis at various stages of development are traced.
The current state of Chinese calligraphy in the context of the global artistic space and its interaction with various types of visual art is thoroughly researched. The process of integration of Chinese calligraphy into the international artistic process is analyzed, in particular the growing interest of the world's leading museums, galleries and art critics in the work of innovative Chinese calligraphers
Special attention is focused on the phenomenon of conceptual calligraphy, which appears as an innovative form of synthesis of calligraphic art with other types of modern visual culture (installation, architecture, design, land art, performance, media art, etc.). The strengthening of symbolism and philosophizing in the works of conceptualist calligraphers, the connection of their creativity with the traditions of Eastern aesthetics and worldview are analyzed. It is shown how the conceptual approach expands the boundaries and functions of calligraphy, turns it into a tool of artistic reflection on the current problems of our time. The in-depth approach to calligraphy, turning it into a form of conceptual art, reflects wider changes in Chinese culture and mentality. The departure from traditional canons and the search for new methods of artistic expression are manifestations of globalization processes and China's cultural self-identification in the world context.
It has been demonstrated that, while maintaining a connection with centuries-old tradition, modern calligraphy at the same time acquires new forms, meanings and development strategies in response to the challenges of time.
