Kirimov T. Dzhemil Kermenchikli's creativity: subjects, semantics, literary mastership.

The thesis deals with the study of the subject matter, the semantics and the lingvostylistic peculiarities of D. Kermenchikli creative works. The handwritten and the printed sources of Kermenchikli creativity (autographs, letters, literary texts, recordings, the materials of publishing and establishments, bibliographies and reference books) are put together and studied. Their classification and the review are carried out. Mistakes and inaccuracies, editorial and censorial extraneous features at writer's publication, literary subject matter, semantics and literary mastery of his works are disclosed. The metacritical understanding of the authentic and the literary-critical publications of Dzhemil Kermenchikli in Crimean newspapers and magazines (1917 - 1944): "Millet" ("The nation"), "Q?r?m oca??" ("The hearth of Crimea"), "Millet i?i" ("The popular matter") "Ye?i d?nya" ("The new world"), "Ya? quvet" ("The power of the youth"), "Azat Q?r?m" ("Free Crimea"), "Q?z?l Q?r?m" ("Red Crimea"), "Bol?evik yolu" ("Bolshevism's way"), "?leri" ("Forward"), "Ye?il ada" ("The green isle"), "Oquv i?leri" ("The matters of the enlightenment") and many others are accomplished. The subject of the literary world as a personality and as a bearer of the Crimean Tatar linguistic culture is described. The considerable part of the poetical and the journalistic materials of D. Kermenchikli are transliterated from the Arabic script to the Cyrillic one and are translated from the Crimean Tatar language to the Russian language. The headlines of his poetry are analyzed by the functional, motivational and structural features.