Kabka G. Discourse of personality texts of vocal cultural workers in the artistic environment of Ukraine 1950-1970th.

The thesis deals with the investigation of personal texts of Ukrainian vocal culture figures in the second half of the twentieth century. The personnel culture test exists in the discursive field of similar texts which generate the special relations and interaction between them (particularities, causes, components, etc.). Such relationships reveal the laws of the cultural development. Due to this process the research perspectives are updated, as in our case, when artistic and sociohistorical mega description of Ukrainian culture in the second half of the twentieth century opens up new landmarks. Also personal texts are classified into groups according its cultural and educational components, musical and performing particulars and methodical ap-proaches. It is found that personal texts of public figures of Ukrainian culture in the second half of the twentieth century exist within a totalitarian discourse as analytics about frank confession and the most troubling thoughts in diaries of K. Radchenko and L. Lobanova; impossibilities of a creative realization, pressure of authorities in B. Hmyria's letters and comments of the last period; a mutual relationship between creation and politics at the Kiev Opera and Ballet Taras Shevchenko Theatre in 1950-1970th (B. Hmyrya, В. Hnyd, L. Lobanova, E. Miroshnychenko, K. Radchenko etc.).