The dissertation is devoted to the research of the communicative space of
contemporary Ukrainian musical art, since modern scientific discourse reveals a steady
gravitation to the theoretical platform of the spatial paradigm. In accordance with the
general trend of dialogue, the communicative possibilities of art become the most
priority area in the study of artistic culture. Introduction to the notion of "space" to
musical practice involves consideration of the musical genre in relation to actual models
of human communication that have found their imprint in music.
The chronological boundaries of the study cover the period of the end of the XX –
beginning of the XXI century. and due to the peculiarity of the processes of formation of
the world's socio-cultural space of information and network days.
Study of space as a semantic phenomenon in musical art determines one of the
directions – the study of space as a system from the standpoint of the integrity and
functionality of its varieties – in fact, modern practice, confirms their interpenetration in
music and many other phenomena of socio-cultural life of man. The introduction of the
concept of "space" to musical practice involves consideration of the musical genre in
relation to actual models of human communication that have found their imprint in music.
Materialized in the work of art, the creative activity of the author represents the core
of the space of art, whose coordinates are infinite in their length. The activities of the
composer, reflecting his artistic and aesthetic outlook, is the content of the author's
strategies developed in the art space. The strategic trajectories of the modern author, which
have a communicative orientation, tend to plurality and polymodality. The space is manmade,
since it is formed by a creatively active personality, but at the same time, the space
is constructed by existing artistic objects, and is a system capable of self-development. A
space that is both self-organized and organized is a synergistic view of art as a system.
The language of musical art acts as a universal communicative tool of cultural
space and performs several important functions: the function of communication; the
function of transmitting and storing information; a function of expressing feelings and
emotions of a person; formation of thinking; the accumulation of human experience.
Musical language becomes a means of communication, knowledge, national identity,
preservation and transfer of experience and traditions of musical culture of the people.
Musical language, as a collection of musical expressions, is immersed in the field of the
semiosphere – space, which is a prerequisite for musical communication and is due to
the entire socio-cultural system of society.
The work of art as a subject of artistic communication is characterized by the
dialogue of its internal structure, and due to the dialogic nature of its structure, the work acts
as a potential sign system. The work of art arises as a process and result of relations between
the artist and the creative material, thus representing a new quality that arises at the
intersection of single authorial operations and general operations of the socio-cultural field.
The procedural nature of musical communication seems to be an open, complex
and organized system that provides the circulation of heterogeneous auditory, visual and
other information in a large time space that is covered by the musical culture of society.
The modern structure of the musical-communicative process includes several main areas –
composer, musical manager, performer, critic music critic, and listener-recipient, which
are considered in a single system of communicative communications. The study shows
that all of these areas interact sequentially and in parallel, and on the principle of feedback.
Communicative functions of the space of musical art most clearly manifest during
the implementation of such a modern form of socio-cultural artistic activity as a festival
project. Taking into account the nature and specifics of the organization of cultural
dialogue in the musical creativity
