Rosovetskyi S. Autobiographical prose of Russian postsymbolism

Українська версія

Thesis for the degree of Doctor of Philosophy (PhD)

State registration number

0821U100928

Applicant for

Specialization

  • 035 - Гуманітарні науки. Філологія

29-04-2021

Specialized Academic Board

ДФ 26.001.135

Taras Shevchenko National University of Kyiv

Essay

In the dissertation a consistent comparison and comparison of the poetics of Russian post - symbolist autobiographies in the dimensions of motive structure, narration, architectural and intertextual elements is carried out. The subject of the study is the originality of the poetics of the literary genre of autobiography, the object of study are the autobiographies of Russian post-symbolists. The material of the proposed dissertation was "His-My Biography of the Great Futurist" by Vasily Kamensky, "I Am" by Vladimir Mayakovsky, "Novel without Lies" by Anatoly Mariengoff, short autobiographies of futurists, including "Curiculum vitae of the youngest futurist Semyon Kirshanov", "My poetrys biography" Sergei Tretyakov and "Autobiography of the wildest" by Alexander Kruchenykh, "Egyptian Mark "and "Noise of Time" by Osip Mandelstam and "One-and-a-half-eyed shooter" by Benedict Livshits. In the dissertation for research of autobiographical texts of the Russian postsymbolism the comparative method with application of the motive analysis, a technique of narratology, a statistical method and the intertextual approach was used. In the dissertation for the first time the comparative analysis of autobiographies of the Russian postsymbolism in measurements of motive structure, narration, architectural and intertextual elements is carried out. The ratio of memoir and autobiographical in autobiographical texts of Russian post-symbolism and their influence on the attraction of the text to fiction are revealed. An innovative concept of motive concept was introduced, which allowed to apply the statistical method to describe the motive structure of texts and visualize the results in the form of maps of motive structure. A correlation was found between the artistic distortion of historical reality and the peculiarities of the narrative structure.

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