RUDENKO O. Chamber-Instrumental and Vocal Creativity of V. Hubarenko: the Symbiosis of Expression, Music and Performance

The dissertation is devoted to the research of the chamber and vocal heritage of the Ukrainian composer Vitaliy Hubarenko in the 60-80 years of the XX century. In the research found out, what place the chamber and vocal creation had in his compositional work, analyzed factors, that directly influenced her becoming and further formation, the process of interaction of music, word and vocal performance is considered, the development of the musical-dramatic line in the vocal cycles of the composer is traced. The analysis of chamber and vocal compositions of 60-80 years of the XX century is offered, it provides consideration of the interaction of musical and verbal texts, taking into account the specifics of vocal performance. Understanding of artistic symbiosis influences the method of working with vocal compositions and the quality of concert performance. The specifics of interaction of words and music in vocal compositions of different years are outlined; revealed direct interaction with performers of compositions in different genres and directly in the vocal, what influenced the performance convenience of opuses. The concepts of Kharkiv composer’s school are defined, which one of the branches is associated with the creative activities such composers and teachers as D. Klebanov, O. Zhuk and S. Bogatyriov. The psychological influence of the poetic text in combination with musical means of expression on the general perception of the composition is considered. Attention is focused on the composer’s creative contacts with performers, kapellmeisters, music critics, who directly influenced the formation of the composer’s musical language. Underlined, that the composer set high criteria both to literary sources and to own musical language, which considered the technical achievements of vocal performance as much as possible (since conservative times, composer worked closely with singers, including opera singers). The research reveals question of creative dialogue «composer – poet – performer» by revealing the interaction of musical and poetic texts, taking into account the performance aspects. In this regard, the spectrum of understanding of modern composer’s musical writing methods expands.