The study is dedicated to highlighting a special offshoot of the musical culture of Spain formed in the process of historical development of the culture of Andalusian gitanas, which is known today under the name of flamenco art. Flamenco phenomenon creates an open space for scientific research. This culture has become widespread and known throughout the world since the mid-nineteenth century. This period, known as the "golden age of flamenco" (1850-1910), is characterized by the emergence of specific evening flamenco shows, which was spread not only in Spain, but also abroad and created the conditions for commercial success. Its further commercialization contributed to the introduction of new forms of functioning of the ancient tradition. Search for composer techniques for its reproduction (creativity of composers of the Renasimiento period), mastering stage and screen media (appearance of ópera flamenza, ballet flamenco, zarzuela, films by K. Saura) significantly influenced the formation of the national idea.
Flamenco as an art with powerful roots in the past, but adapts well to modern realities, is perceived as a certain artistic unity that has its own which is well recognized in all formats. Its three-component (word, music, plastic) core, which was formed over the centuries, three-component (word, music, plastic) core, exists to this day. In this work, it is proposed to call it the "flamenco code" as a set of musical and linguistic, plastic and performing canons of reproduction of life experience in artistic manifestations. This "flamenco code" not only keeps "traces" of the past, he shows flamenco strength in a variety of intercultural, interethnic, interstellar. The results of such interactions indicate a high level of adaptability of flamenco practice to, which are implemented in multi-level Aflamencado processes. The concept of aflamencado (in translation - "one that acquires the characteristic features of flamenco") means the phenomena of assimilation of flamenco practices in foreign media are determined in this study, including regional and artistic, etc. In its original meaning, "aflamencado" is used exclusively in the sphere, which is associated with the genre exploration of the culture of Andalusian gypsies - gitanas. At the same time, during the historical development of flamenco, a certain number of similar processes were formed, which spread to other levels of functioning of complex interstellar formations. This cancer is the basis of the problem angle of this dissertation. The purpose of the research is to justify a new level of the concept of "aflamencado" and identifying on specific examples the specifics of the functioning of the "flamenco code" in various art’s interactions. The object of research is the musical tradition of flamenco in interstellar interactions. The subject is the idea of "aflamencado" and the principles of its implementation in the artistic space of the 20th-21st centuries.
The scientific novelty of the obtained results lies in the fact that the "code flamenco" is a permanent phenomenon three-component in its structure (word, music, plastic); considered the phenomenon of "aflamencado" as a practice of using a three-component "flamenco code" in art’s interactions; the basic principles of the functioning of the art of gitanas in the aspect of its modern renewal are determined; specific samples of composer and performing creativity as an original reproduction of folklore idioms; analytical representations of musical compositions by A. Alba, F. G. Lorca, J. Parga and their performing interpretation. Clarified and supplemented modern theoretical concepts of flamenco history, ways of academization and hybridization of this folklore practice, methods for analyzing the phenomena of art’s interactions, including audiovisual solutions and their implementation in artistic structures of intermedial texts; the role of a commercial factor in the development of folklore tradition in modern artistic realities the value of the creative contribution of F. G. Lorca to the formation of "flamenco nuevo". The unique ability of flamenco to develop accumulation and ability to a peculiar transformation of intonational experience, which are recognized in direct contacts with other artistic practices. Its ability to “keep traces” of his own presence in any other social and cultural, artistic phenomena that for centuries appeared in the horizons of its existence. The study of flamenco remains relevant not only as a local phenomenon, but as a global brand, every national culture, including Ukraine, finds its own topics for dialogue with flamenco. The multiplicity of modern flamenco phenomena raises new questions in its comprehension, focuses on the processes of various kinds of “hybridization” which is clearly demonstrated throughout its existence by the flamenco tradition. The need to fit it into the broad subject of comparative studies is one of the promising directions for further studies.
