Smyrnova T. Formation of landscape genre-painting in German paintings and drawings of the first third of the XVI centery in the context of the Renaissance picture of the world.

The thesis is devoted to a problem of origin and evolution of a German landscape genre in epoch of revival in a context of radical fundamental change of the word outlook. In a thesis the problem of a conceptual integrity and stage unique of German pictorial and graphic landscape is studied, the factors are considered which determine uniqueness of this phenomenon. Comprehensive analysis of thestylistic devices of ways adequate to the peculiar concept German Renaissance of a landscape, namely for the first time is offered: regularities of composite construction in a context of the elevated load, measure of a reality of kinds, many levels ofthe simbolical structures in a german landscape and specifity of emotional perception of conventional categories. In a scientific turn-over the new approaches to comprehensive analysis of national version of a landscape in a system of genre-making authorities are used. The main results outcomes of research are introduced in a lecture rate for high schools, the mate rials of a thesis can be applied for the solution of ecological problems and problems of culture process humanisation.