Kapichina Y. Musical Aesthesis in the Conception Context of Dialogue of Cultures

The author of the dissertation substantiates upon the problem of 'musical aesthesis' in the context of its dialogical - cultural self - determination. There are investigated the philosophic, aesthetic and artistic fundamentals of music existence in the context of cultural objective reality (being). In the dissertation there are singled out the main tendencies of contemporary philosophical - aesthetical process on the basis pf realization of the phenomenon of POST-culture. There have been defined the peculiarities of the aesthetical aspect of the conception of the dialogue of cultures where the problem of the dialogue of cultures is represented as the problem of the dialogue of works of culture. (productions of culture) The author of the dissertation reveals the essence of musical aesthesis in the dialectics of musical language and musical work as logical - dialogical unity. On object - subjective reality of musical aesthesis the author analyses the structure, the mechanism of functioning and sociocultural existence of this phenomenon. In the context of the problem of intersubjectivity of musical aesthesis the problem of musical education is analyzed. It is proved that the process of musical education from a position of philosophical - aesthetical methodology is the process of aesthetical - cultural intercourse and there has been grounded the necessity of unification of musical - pedagogical ideas with philosophical - aesthetical ideas en particular, with phenomenology of music. In the dissertation it is proved that musical aesthesis is the universal condition for sociocultural existence of music, in its origin (genesis) basis there is synthesis of pure musical existence and personal - subjective human existence. This synthesis is the base for sociocultural existence of music, its cultural and educational influence on the individual. Key words: musical aesthesis, dialogue of cultures, POST-culture, musical language, logical-dialogical unity, musical consciousness, musical perception, intersubjectivity, aesthetical - cultural intercourse, rhythm-intonation complex.