Kryvosheya T. Antitragic in the modern philosophical-aesthetic discourse.

The dissertation aim is to investigate the phenomena of antitragic in the aesthetics and artistic practice. In the XXth century a category of tragic acquires the new actual modifications: from existential tragic to paradoxical tragic, from the norm of tragic to the death of tragedy. Antitragic (and this is its difference from tragic) goes away to the world of usual life. An antitragic man gets rid of effort of the moral choice. The non-conflict world of usual life becomes a base for the antitragic world outlook. Modern artistic practice and aesthetic theory both demand a formation of new categories in the limits of tragic-comic. It marks on the process of tragic art's non-actuality in the postmodernism. Giving up a superiority of tragic the art and aesthetics demand the directions of new types of the connections now, when the tragic art became impossible. Antitragic represents a destroyed world of things-men in arts. The introduction of the antitragic conception proves an actuality of the process of categorial renovations for non-classical aesthetics.