Nazarenko N. The ordinarily-musical consciousness as the subject of philosophical-aesthetic analysis

In the dissertation the problem of ordinarily-musical consciousness is explored as the social cultural phenomenon which has aesthetic characteristics and functioning an independent sphere of the existence-in-the-world. The problem of ordinarily-musical consciousness is examined in dialectics of genesis, essence and the functioning process. The analysis of modern social culture, which is characterized in philosophical researches as POST-culture, is carried out. It is marked that this type of consciousness comes forward in the conditions of POST-culture as original space of aesthetic of the other-existence. The ordinarily-musical consciousness is examined as specific sign community which functions on the basis of semantic units of intonation. The indicated consciousness possesses symbolizing potencies, not measuring up the level of symbol. The ordinarily-musical consciousness concerns as the sphere of realization "temporal experience", defining in a culture. This consciousness comes forward as basis forrealization of musical communication in the conditions of social culture and its specific post-cultural stage. Key words: ordinarily-musical consciousness, existence-in-the-world, POST-culture, aesthetic other-existence, symbol, temporal experience.