Tormakhova A. The philosophy of music in the context of European musical culture of XIX-XX centuries.

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0409U004527

Thesis Registration Form

0409U004527.pdf

Applicant for

Specialization

  • 09.00.08 - Естетика

17-09-2009

Specialized Academic Board

Д 26.001.28

Taras Shevchenko National University of Kyiv

Essay

The dissertation is devoted to the analysis of a philosophy of music as a history of philosophical and aesthetic system that organically combining ontological and epistemological foundations of life, is the result of constructing the theory of music as a manifestation of the universal. In the context of the history of the development of Western European aesthetic thought explores the ideological and theoretical prerequisites for the formation of musical sensitivity and its evolution to the level of scientific knowledge of philosophy. We analyze the increase of the melody, harmony, rhythm, and modulation of their existence as a specific musical aesthetic concepts and categories of philosophical level.

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Files

aref.doc

Диссертация Тормахова.doc

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