Beniakh N. Lviv period of Mykhailo Boychuk's creation 1910–1914.

The dissertation is devoted to studying the role of the Lviv period of creativity of Mykhailo Boychuk in the general scope of his creative path. The interrelation of the Lviv period with Paris and Kiev was analyzed, the M. Boychuk creative method was characterized, an artistic analysis of preserved works of easel painting, a project of polychrome, icons, sacred themes, graphs and illustrations was conducted. A detailed study of various aspects of the artist's life and creative ways in his Lviv period allowed us to discover the phenomenon of Boychuk and Boychukism. A detailed reconstruction of events and facts related to the Lviv period of his work has been carried out. The formation of M. Boychuk's creative method and the formation of his own views on the development of Ukrainian art of that time were followed. The artistic and stylistic, compositional and formal and other qualities of the saved works of the artist are analyzed in detail. It was Lvov's period that became the most productive for M. Boychuk in terms of his own creative realization. The artist came back from the so-called artistic laboratory in Paris, where there were deep processes in the formation of new stylistic trends in art, and this was the time of his self-realization and expression in Ukrainian art.