025 Music
0823U101685
Yevhen Kemenchedzhy
Musical art of Zaporizhzhia of the second half of the 20th – beginning of the 21st century: compositional and performing aspects
0823U101670
Stepan S. Giga
The art of arrangement in the aspect of style evolution of Ukrainian pop-vocal creativity.
0823U101613
Olha Y. Kubik
Ensemble art of bandurists of Ukraine and diaspora: history, theory, performance practice.
0823U101445
Nataliia Dzizinska
Bela Bartok`s violin music: genre and style dimensions
0823U101420
Anton Yaloza
Biedermeier in the formation of the classics of guitar art
0823U101406
Oleksii Y. Honchar
"New Bayreuth" in retrospect and perspective of historical changes
0823U101405
Yi Yang
Performance stability as the basis of pianists' concert and stage activity
0823U101404
Oleksandr Korchev
Derivation as a type of development in the music of the twentieth century
0823U101403
Xiaoxi Liu
Music of Chinese composers for duets of traditional instruments with piano: genre-style and performing aspects
0823U101378
Pavlo Knysh
Performing versions of F. Chopin's piano concertos in musical practice of the 20th and early 21st centuries
0823U101363
Mengzhe Zhang
Polyphonic genres in the piano music of Chinese composers
0823U101353
Jian Liu
A genre invariant of the Broadway musical at the turn of the 20th - 21st centuries
0823U101352
Oleksandra Klendii
Editions of Violin Concertos of the XIX Century: Generating Criteria
0823U101265
Svitlana S. Muravitska
Synthesis of musical academic and non-academic traditions in the genre of classical crossover
0823U101186
Viktor A. Palamarchuk
Ukrainian Guitar Art and Performance of the mid-19th – early 20th Century: Its History, Genesis and Figures in a Creative Aspect.
0823U101065
Volodymyr Lebed
Academic works for saxophone and wind orchestra as a repertoire innovation of modern saxophone performance
0823U100980
Chiling Gao
I. Shamo’s choral creativity: performing interpretation specificity
0823U100979
Oleksandr S. Shchetynskyi
Shchetynsky O. S. Typology of composer's self-actualization (from the creative laboratory of L. Hrabovsky, V. Baley and V. Bibik)
0823U100963
Serhii Dikariev
The role of the double bass in the creative work of the composers of the 20th century: from an orchestral to a solo instrument
0823U100962
Viktoriia Melnyk
The Phenomenon of Aflamencado in the Aspect of Interaction of Artistic Practices
0823U100920
Ling Zhu
European vocal chamber music in contemporary Chinese performance practice: cross-cultural interactions
0823U100919
Yevhen Dashak
Joseph Marx’s piano work: the specifics of the transformation of traditions
0823U100909
Olha V. Boryn
Children’s vocal performance in the context of popular musical culture of Ukraine (end of the 20th – beginning of the 21st centuries).
0823U100880
Oleksandra Loktionova-Oitsius
The performing image of a pop singer in musical and television projects of Ukraine at the end of the 20th – beginning of the 21st century
0823U100873
Na Xu
Joseph Marx’s piano work: the specifics of the transformation of traditions
0823U100597
Yu Zhang
Genre Types of the Chinese National Opera in the Works of Yin Qin
0823U100560
Bekirov Usein
Crimean Tatar Song Folklore in Academic and Jazz Composer Practice
0823U100558
Vladyslava V. Aksyutina
The specifics of the embodiment of comic images in Yuri Shevchenko's ballet music. Qualifying scientific work on manuscript rights.
0823U100555
Оlena V. Spolska
Formation and Development of the Piano Art of Ternopil Region in Terms of Regional Culture
0823U100187
Liu Wenshu
Chamber vocal work of Volodymyr Runchak: genre and style aspects
0823U100057
Kliuchynska Nataliia Vasylivna
Historically Informed Performance and rhetorical parameters in modern interpretation of Ukrainian partes music (on the example of M. Dyletskyj’s and I. Domaratskyj’s works)
0822U100895
Kaznokh Iryna Bohdanivna
Stylistic features of the sacred monody in the context of musical and poetic formative connections (on the material of the songs of the Flower Triodion of the end of the XVI-beginning of the XVIII century)
0822U100736
Fang Xingxuan ----
Interpretation of the tragedy «Romeo and Juliet» by W. Shakespeare in the musical and stage works by Ch. Gounod and G. Presgurvic
0822U100735
Kashyrtsev Ruslan Gennadijovuch
Interpretative Potential of Timbre and Texture in Orchestral Works of Composers of the First Half of the 20th Century
0822U100734
Huang Lei ---
Pastoral in music: historical-typological and performing aspects
0822U100733
Kovtoniuk Valeriya Leonidivna
M. Pletnev’s style of musical creativity
0822U100732
Fartushka Oleksii Dmytrovuch
Choral polyphony in the system of composing style (on the example of the creative work of P. Hindemith, I. Stravinsky, and O. Shchetynsky).
0822U100649
Lin Junda
Beethoven's Piano Sonatas in the Musical and Stylistic Context of the 18th-19th Centuries
0822U100641
Kushch Viktoriia Vitaliivna
Song creativity by Ivan Karabyts
0822U100596
Rieznik Olena Serhiivna
The Formation and Development of the Production of Bayan-Accordion Instruments in Ukraine in the XXth Century (organological aspect).
0822U100507
Chen Xiao
Image poetics of european opera as a classical phenomenon: musical-interpretive aspect.
0822U100506
Kiknavelidze Kateryna Olehivna
The phenomenon of cover in modern violin performance: new forms of dialogue between academic and mass spheres of musical art.
0822U100194
Ivanova Liudmyla Oleksandrivna
Traditionalist stylistic direction in the creativity of the Ukrainian composers of the 19th – 20th centuries
0822U100154
Klendii Oleg M.
C. Saint-Saëns’s Pianoforte Style as Evocation of Performance Ideal of the 19th-Century European Culture
0822U100150
Cheng Lin
Artistic and non-verbal communication and its embodiment in conducting
0822U100143
Rosenko Ganna Mykolaivna
Renaissance of the Olympic Music Movement in Ukraine at the Beginning of the 21st century
0821U102767
Yang Feiyu
Modern tendencies of vocal-performing creativity
0821U102760
Liermontova Olena Oleksandrivna
Creativity of musician-domra player : performativepsychological aspect (on the material of Kharkiv School’s activity).
0821U102742
Zhovnir Stanislav Serhiiovych
Latin American Composers’ Works for Guitar: Theory, History and Performing Practice.
0821U102606
Bakumets Anastasiia Yu.
Genre and style features of Ukrainian composers’ choral cycles of the late 20th – early 21st centuries
0821U102481
Kharakoz Hanna Vasylivna
Choral fugue: genre, stylistic and performance aspects (on the material of the Western European music of the XVIII-XIX centuries)
0821U102479
Nikolenko Roksana Viktorivna
Stylistic mechanisms of performing and composing creativity of Marc-Andre Hamelin
0821U102346
Pieshkova Veronika Andriyivna
Madrigal in Claudio Monteverdi's creativity: author's reading of the poetic text
0821U102234
Romanets Daria O.
Musical dramaturgy of children's operas by Ukrainian composers of the late 20th – 21st centuries
0821U102203
Lian Yuanmei
The ways of professional composer skill in the embodiment of the Venice image in vocal music of the 19th century
0821U102200
Zhang Xiangyong
Performing skills of pianists in the context of psychophysiological analysis
0821U102198
Yang Fuyin
The genre of Neapolitan song in the 16th–19th centuries (theoretical analysis)
0821U102197
Yan Haosyuan
The phenomenon of the singing-performing style of J. Kaufmann
0821U102196
Mukhina Larysa P.
Ukrainian vocal performance in the context of European opera and vocal culture of the late XIXth – early XXth centuries
0821U102190
Kong Ziwei
Musical creativity as an art problem
0821U102176
Mukha Anna P
Formation of entrepreneurial culture of primary school students in physics lessons
0821U102173
CHZHOU YI
Individual performing style in the context of globalization (on the example of the work of Chinese singers)
0821U102171
LIU SIA
The performing specifics of narrative genres of vocal music
0821U102170
CHZHAN LIN
The ways of professionalization of Ukrainian vocal art (on the example of the genre of folk song setting)
0821U102117
Solovyova Oxana A
Clavier concerto of the XVIII century in the music of Austro-German composers: theoretical and performing aspect
0821U102115
HUN VEIDI
Artistic technique of the choir conductor in the context of psychophysiological analysis
0821U102111
CHZHAN TSZIAOKHUA
Intonation as a factor of meaning formation in piano performance
0821U102069
Davitadze Anastasiia Halaktionivna
The genre of folk song settings in the creative work of L. Van Beethoven.
0821U101980
KUDRIAVTSEV VALENTYN YU.
Chamber-vocal work of J. Massenet: genre and style dominants
0821U101957
Pater Anastasiia Romanivna
Performing dimensions of Ukrainian sacred music.
0821U101955
Mladenova Tetiana Valeriyivna
Crimea in the dialogue of cultures “West-East” on the example of musical creativity.
0821U101945
RUDENKO OLEKSANDR F.
Chamber-Instrumental and Vocal Creativity of V. Hubarenko: the Symbiosis of Expression, Music and Performance
0821U101796
Boiko Pavlo A.
Clarnet’s tembr on Dmytro Shostakovich`s orchestral type of thinking
0821U101706
Setian Harri H.
Vocal intonation in piano art (on the example of P. Tchaikovsky's work).
0821U101697
Reshetilov Bohdan Yu.
Concerto for piano and string orchestra in the twentieth century: genesis, evolution, specifics of interpretation of chamberness
0821U101675
Che Chao
Lan Lan’s musical-performing style: specifics, phases of formation
0821U101655
Yakubov Temur A.
Sergei Bortkiewicz and his violin music: sources, genres and style studies
0821U101641
Chen Mengmeng
The creative legacy of Huang Ji, the founder of twentieth-century academic Chinese music
0821U101639
Kuchma Nataliia Andrijivna
The embodiment of the sound image of the piano in the cycles of etudes by composers of the XIX – XX centuries.
0821U101638
Oleksiv Halyna Vasylivna
Genre of translation in modern accordion art: historical and analytical aspects.
0821U101149
Hrynenko Svitlana
Guitar art of Mykolaiv region in the cultural space of Ukraine in the end of 20th – the beginning of 21st century
0821U101144
Volyk Oleksii O
Poetics of Chopin's etudes: musicological and performance interpretation
0821U101137
Churikov Yevhen Serhiiovych
Evolution of performing technique in the context of the development of horn playing art
0821U101084
Liu Shiting
Style paradigms of modern opera work: vocal and performing approach
0821U101008
Berezutska Maryna Serhiivna
Repertoire as a factor of the ensemble creativity of bandurists (based on the activity of the bandura ensemble «Charivnytsi»)
0821U100730
Kadantseva Nataliia Borysivna
Kadantseva N.B. Chamber-vocal genesis and euristics of operatic creativity (on the materials of the repertoire of the Odessa National Opera and Ballet Theater).
0821U100729
Kopiika Hanna Pavlivna
Jeanne Demessieux' organ compositions. Typological and individual stylistic aspects.
0821U100687
Kolts Ilha
Mykolaiv domra school in the context of professional folk instrumental art of the South of Ukraine of 20th – 21st centuries